Notable Sales

Jean Baptiste Camille Corot (1796–1875)
Paysage aux trois personnages, c. 1850–1860
Oil on canvas
18 1/4 x 22 in. (46.3 x 56 cm)

Private collection

Jean-François Millet (1814–1875)
Le semeur (The Sower), 1865
Pastel and black crayon on light brown paper
14 5/8 x 16 7/8 in. (37.2 x 43 cm)

Private Collection

Camille Pissarro (1830–1903)

Père Melon Sawing Wood, 1879

Pastel on paper on laid board
18 5/8 x 24 1/2 in. (47.3 x 62.2 cm)

Private collection

Camille Pissarro (1830–1903)
Saint Anne's Church à Kew, London, 1892
Oil on canvas 
21 1/2 x 18 1/8 in. (54.8 x 46 cm)

Camille Pissarro (1830–1903)
Fiacres sur le Boulevard Montmartre, c. 1897
Brush and sepia wash and pen and black ink on paper
7 1/8 x 9 in. (18.2 x 23 cm)

Camille Pissarro (1830–1903)
L'Anse des Pilotes, après-midi, temps ensoleillé, Le Havre, 1903
Oil on canvas
18 1⁄2 x 21 7⁄8 in. (47 x 55.5 cm.)
 

Edgar Degas (1834–1917)
Etude de Vieillard assis (Study of an Old Man Seated), 1856-1858
Pencil on off-white laid paper
12 5/8 x 9 1/4 in. (32.1 x 23.5 cm)

Edgar Degas (1834–1917)

Dancer, Fourth Position Front, on the Left Leg, 1883–1888 (casting 1919–1926)

Bronze

17 1/8 x 9 1/8 x 11 in. (43.4 x 23 x 28 cm)

Edgar Degas (1834–1917)
Danseuse a l'Eventail, 1890s
Pastel and charcoal on laid paper
19 x 14 ¾ in. (48.2 x 37.5 cm)
Signed lower right: Degas

Edgar Degas (1834–1917)

Horse Walking at a High Pace, c.1887–88

Bronze

8 7/8 x 9 1/8 x 3 1/2 in. (22.5 cm x 23.2 x 9 cm)

Henri Fantin-Latour (1836-1904)
Panier de fleurs, 1892
Oil on canvas
24 ½ x 31 5/8 in. (62 x 80.2 cm.)

Alfred Sisley (1839–1899)
Bords de Seine, près de l’île Saint-Denis (At the Edge of the Seine, near L’île Saint-Denis), 1872
Oil on canvas
18 1/2 x 25 1/2 in. (46 x 65 cm)

Paul Cézanne (1839–1906)

Rochers prés des grottes au-dessus de Cháteau Noir (Rocks near the Caves above Chateau Noir), 1895-1900

Watercolor and pencil on paper

18 x 11 1/2 in. (45.7 x 29.2 cm)

Odilon Redon (1840–1916)
Bouquet de fleurs (Bouquet of Flowers), c. 1912
Oil on canvas
28 3/4 x 21 1/2 in. (73 x 54.6 cm)

National Gallery of Art, Washington, D.C.

Claude Monet (1840–1926)
Paysage de matin, 1888
Oil on canvas
28 7/8 x 31 3/4 in. (73.4 x 80.5 cm)

Berthe Morisot (1841–1895)
Dans la véranda, 1884
Oil on canvas
32 x 39 1/2 in. (81.2 x 100.2 cm)

Private collectiom

Auguste Rodin (1840–1917)
La faunesse, 1906
Marble
Height 23.4 in. (59.5 cm)

Paul Gauguin (1848–1903)
Ta-Matete (The Market), 1892
Watercolor, gouache, pen and ink, and graphite on cream wove paper
5 3/4 x 18 1/8 in. (14.5 x 46 cm)

John C. Whitehead Collection, until 2015

Gustave Caillebotte (1848–1894)
Chrysanthemums in the Garden at Petit-Gennevilliers, 1893
Oil on canvas
38 5/8 x 23 1/2 in. (98 x 59.8 cm)

The Metropolitan Museum of Art, New York

John Frederick Peto (1854-1907)

A Closet Door, 1904

Oil on canvas

40 1/4 x 30 1/8 in. (102.2 x 76.5 cm)

Maurice B. Prendergast (1858–1924)
Cohasset Beach, c. 1900–05
Watercolor, pencil and pastel on paper
11 x 15 1/2 in. (27.9 x 39.4 cm)

Georges Seurat (1859–1891)
Le haut de forme, c. 1883
Crayon on paper
12 1/8 x 9 3/8 in. (31.2 x 23.8 cm)

Georges Seurat (1859–1891)
Strolling Woman with a Muff, c. 1884
Conté crayon on paper
11 7/8 x 9 1/8 in. (30 x 23 cm)

Théo van Rysselberghe (1862–1926)
Près des rocs de Per-Kiridec à Roscoff, 1889
Oil on canvas
12 1/2 x 15 7/8 in. (31.8 x 40.4 cm)

Private collection

Paul Serusier (1863–1927)
Les deux lavandières au bord de la cascade, c. 1890
Oil on canvas
28 7/8 x 36 1/2 in. (73.2 x 92.3 cm)

Paul Signac (1863–1935)
Cherbourg. Fort du Roule, 1932
Oil on canvas
28 7/8 x 36 1/4 in. (73.3 x 92.1 cm)

Private collection

Henri Matisse (1869–1954)
Bateaux à Collioure, 1905
Watercolor on paper
6 x 9 7/8 in. (15.3 x 25.1 cm)

Henri Matisse (1869–1954)
Nature morte, c. 1918
Oil on canvas
8 3/4 x 10 3/4 in. (22.2 x 27.4 cm)

Henri Matisse (1869–1954)
Nu allongé, 1928
Ink on paper
9 1/2 x 12 1/2 in. (24 x 31.5 cm)

Henri Matisse (1869–1954)
Tête de femme, 1949
Charcoal and estompe on paper
16 x 12 1/8 in. (40.5 x 30.6 cm)

Maurice Denis (1870–1943)
La Cuisinière, 1893
Oil on canvas
32 1/8 x 23 3/8 in. (81.6 x 59.3 cm)

John C. Whitehead Collection, until 2015

Maurice Denis (1870–1943)
La famille Chausson, villa Papiniano, 1899
Oil on canvas
50 1/4 x 96 1/4 in. (127 x 244 cm)

Private Collection

Kees van Dongen (1877–1968)
La femme à l’aigrette, c. 1910
Oil on canvas
21 3/4 x 18 1/4 in. (55.2 x 46.3 cm)

Private colletion

Giorgio de Chirico (1888–1978)
Portrait of Carlo Cirelli, 1915
Oil on canvas
77.5 x 64.1 cm (30.5 x 25.2 in.)

Philadelphia Museum of Art

Georges Braque (1882–1963)
Tête de femme II, 1930
Oil on canvas
18 x 15 in. (45.7 x 38.1 cm)

John C. Whitehead Collection, until 2015

Amedeo Modigliani (1884–1920)
Beatrice Hastings, 1916
Oil on canvas
25.5 x 18 1/8 in. (64.9 x 45.9 cm)

John C. Whitehead Collection, until 2015

Chaim Soutine (1893–1943)
La Communiante (La Mariée), c. 1924
Oil on canvas
32 1/8 x 18 3/4 in. (81.6 x 47.5 cm)

Ernst Barlach (1870–1938)
Drei singende Frauen (Three Women Singing), 1911
Oak
21 1/4 x 34 3/4 x 19 3/4 in. (54 x 88 x 50 cm)

Ernst Barlach Haus—Stiftung Hermann F. Reemtsma, Hamburg

Marc Chagall (1887–1985)
La fiancée aux gants noirs, 1929
Gouache on paper on board
26 3/4 x 20 7/8 in. (68 x 53 cm)

Ernst Barlach (1870–1938)
Verhüllte Bettlerin (Barmherzigkeit) (Veiled Beggar Woman [Mercy]), 1919
Walnut
15 x 13 1/3 x 12 in. (38 x 30.4 x 33.7 cm)

Ernst Barlach Haus—Stiftung Hermann F. Reemtsma, Hamburg

Wilhelm Lehmbruck (1881–1919)
Head of a Girl with a Slender Neck, 1913–1914
Terra-cotta
17 x 13 1⁄2 x 7 in. (43.2 x 33 x 17.8 cm)

Collection of the Speed Art Museum, Louisville, Kentucky, Gift of the Charter Collectors 1974.22.

Ernst Barlach (1870–1938)
Der Dorfgeiger (The Fiddler), 1913-14
Oak
24 1/2 x 14 2/4 x 12 1/4 in. (62 x 37.5 x 31 cm)

Ernst Barlach Haus—Stiftung Hermann F. Reemtsma, Hamburg

Emil Nolde (1867–1956)
Two Children, c. 1918
Watercolor on paper
13 3/4 x 18 1/2 in. (34.9 x 47 cm)

Otto Mueller (1874–1930)

Knabe vor zwei stehenden und einem sitzenden Mädchen (Boy Before Two Standing Girls and One Sitting Girl), 1918/19
Glue-bound distemper on burlap
47 5/16 x 34 3/8 in. (120 x 88.2 cm)

Otto Mueller (1874–1930)

Maschka mit Maske (Maschka with Mask), 1919/21
Glue-bound distemper on burlap
37 5/8 x 26 5/8 in. (95.5 x 67.5 cm)

Museum Folkwang, Essen

Ernst Ludwig Kirchner (1880–1938)
Gelbe Birken (Yellow Birches), 1914
Oil on canvas
47 1/4 x 35 1/4 in. (120.7 x 89.5 cm)

Ernst Ludwig Kirchner (1880–1938)
Bäuerin mit Kindern; Frau Schmidt mit Kindern (Farmer’s Wife with Children; Mrs. Schmit with Children), 1919
Oil on canvas
35 1/2 x 27 3/5 in. (90 x 70 cm)

Max Beckmann (1884–1950)
Strelitzien-Porträt (Portrait with Birds of Paradise), 1937
Oil on canvas
63 3/8 x 32 11/16 (161.5 x 83 cm)

Max Beckmann (1884–1950) 
Stillleben mit Fisch und Muschel (Still-life with Fish and Shell), 1942
Oil on canvas

37 3/8 x 27 5/8 in. (95 x 70 cm)

August Macke (1887–1914)

(Yachting on Lake Tegern), c. 1910

Oil on cardboard and wood

28 3/8 x 20 in. (72.2 x 50.7 cm)

Franz Marc (1880–1916)
Fabeltier (Fable Creature), 1912
Tempera and watercolor wash over woodcut on cream oriental paper
7 3/4 x 11 1/8 in. (19.8 x 28.3 cm)

Franz Marc (1880–1916)

Foxes (also known as Four Foxes), 1913

Watercolor and blue chalk on paper

17 1/2 x 15 1/4 in. (44.5 x 38.5 cm)

Indiana University Art Museum, Bloomington, IN

Heinrich Campendonk (1889–1957)
Im Garten-Frau, Pferd, Ziege, 1915
OIl on wood (door panel)
20 7/8 x 23 in. (53 x 58.4 cm)
 

Diego Rivera (1886–1957)

Angeline Beloff, 1917

Pencil on paper

13 1/4 x 10 in. (33.7 x 25.4 cm)

The Museum of Modern Art, New York

Jean Joseph Crotti (1878–1958)

Portrait of Marcel Duchamp, early 1950s

Pencil and charcoal on paper

21 1/2 x 13 5/8 in. (54.6 x 34.6 cm)

Philadelphia Museum of Art

Julio Gonzalez (1876–1942)
Femme à la longue chevelure, 1940
Pen, ink and wash on paper
12 3/8 x 9 1/2 in. (31.4 x 24.1 cm)

Albert Weisgerber (1878–1915) 
Strand mit Fahnenstange, 1908
Oil on canvas
35 3/5 x 45 4/5 in. (90.5 x 116.5 cm) 

František Kupka (1871–1957)

La Montée (Ascent), 1923
Gouache on paper
19 11/16 x 12 in. (50 x 32.3 cm)
 

František Kupka (1871–1957)
Abstract Composition, 1933
Watercolor and gouache and charcoal
19 x 12 7/8 in. (48.3 x 32.7 cm)

Hans Arp (1886–1966) 
Framed fragments, 1927
Painted wood
39 2/5 x 31 2/5 x 1 3/5 in. (100 x 80 x 4 cm)

Alexej von Jawlensky (1864-1941)
Abstrakter Kopf: Sonne-Farbe-Leben, 1926
Oil on cardboard
21 1/4 x 18 1/2 in. (54 x 47 cm)

Alexej von Jawlensky (1864-1941)
Abstrakter Kopf: Erscheinung (Abstract Head: Apparition), 1928
Oil on board
17 3/4 x 12 3/4 in. (45.1 x 32.4 cm)

Wassily Kandinsky (1866-1944)
Study for Panel Edwin R. Campbell, No. 4, 1914
(also known as Studie zu Winter and Carnival-Winter)
Oil on cardboard
27 1/2 x 19 in. (69.8 x 48.4 cm)
The Miyagi Museum of Art, Sendai

Paul Klee (1879-1940)
Schicksale um die Jahres-Wende (Fates at the Turn of the Year), 1922
Watercolor on chalk grounding on paper, surrounded by watercolor and ink on cardboard
13 5/8 x 7 1/4 in. (34.5 x 18.5 cm)
Signed lower left: Klee
Inscribed on cardboard lower right: Schicksale um die Jahres-Wende / 1922 / 113 S CL

Paul Klee (1879-1940)
Burg 2 (Castle 2), 1923, 107
Watercolor on paper
12 x 8 9/10 in. (30.5 x 22.6 cm)
Signed lower right: Klee
Dated, numbered, and titled on the artist’s mount, lower center: 1923 107 Burg 2

Paul Klee (1879-1940)
Sommerlandschaft (Summer Landscape), 1924
Oil on canvas, laid on cardboard and bordered with watercolor and ink
15 3/4 x 12 3/4 in. (40 x 32.4 cm)
Signed upper left: Klee

Paul Klee (1879-1940)

Halbmond Gespenster, 1925, 215
(Half-Moon Ghosts)

Ink on paper on cardboard

8½ x 12½ in.  (21.6 x 31.5 cm)

Signed upper right: Klee

Dated and numbered lower left on cardboard: V 5’

Titled lower right on cardboard: Halbmond Gespenster

Private collection
 

Paul Klee (1879-1940)
Palast im Vorübergehn (Palace in Passing), 1928

Oil on board
12 x 17 13/16 in (30.4 x 45.2 cm)

Staatliche Museen zu Berlin, Nationalgalerie, Museum Berggruen

Paul Klee (1879-1940)
Torwächterstolz (Pride of the Gatekeeper), 1929

Watercolor on paper on illustration board

18 x 12 in. (45.7 × 30.5 cm)

Los Angeles County Museum, Partial, fractional and promised gift of Janice and Henri Lazarof (M.2005.70.57)

Paul Klee (1879–1940)
Blumen Terrasse (Flower Terrace), 1937, 146 (R6)
Oil and watercolor on cotton shirt material mounted on plywood
16 x 21 3/4 in. ( 40.6 x 55.2 cm)
The National Museum of Modern Art, Tokyo

Paul Klee (1879–1940) | Suchend und Findend (Seeking and Finding), 1937 | Gouache on paper | 13 1/4 x 19 1/4 in. (33.7 x 48.9 cm) | Monotype of a standing man on verso Signed upper edge | Dated lower left | Titled lower right

Paul Klee (1879–1940) | Quota hora est?, 1938 | Gouache on paper | 19 1/4 x 13 1/4 in. (49 x 33.5 cm) | Signed and titled upper left corner | Dated and titled lower center

Paul Klee (1879-1940)
Das kranke Herz (The Sick Heart), 1939
Colored paste on cardboard on wooden strainer
16 x 21 1/4 in. (40.6 x 54 cm)
Signed lower right: Klee

Paul Klee (1879–1940) | In der Leibeshöhle (Inside the Body’s Cavity), 1940 | Paste color on paper on cardboard | 11 5/8 x 8 1/8 in. (29.6 x 20.7 cm) | Signed lower left | Dated, numbered, and titled lower center on cardboard

Lyonel Feininger (1871–1956)
(Tall Man), 1909
Watercolor and ink on paper
12 1/2 x 9 1/2 in. (31.8 x 24.2 cm)

Lyonel Feininger (1871–1956)
Deserted Child, 1915
Watercolor and ink on paper
12 3/8 x 9 1/4 in. (31.5 x 23.5 cm)

Lyonel Feininger (1871–1956)

Der rote Geiger, 1921

Watercolor and ink on paper

12 1/8 x 9 1/2 in. (30.8 x 24 cm)

Signed lower left: Feininger
Dated lower right: Feb. 1921

Titled lower center: Der rote Geiger

Inscribed bottom left: X L.F.

Lyonel Feininger (1871-1956)
City at the Edge of the World, 1925-1955
Set of 68 carved and painted wooden figures, houses, animals, and a bridge
Dimensions variable: max. height 3 7/8 in. (10 cm)

 

Lyonel Feininger (1871-1956)
Promenade (Paris), 1908
Oil on canvas
15 5/8 x 11 5/8 in. (39.7 x 29.5 cm)
 

Moeller 039 | Private collection

Lyonel Feininger (1871-1956)
Diabolo Players I, 1909
Oil on canvas
15 3/8 x 26 1/8 in. (39.2 x 66.2 cm)
 

Moeller 046 | Private collection

Lyonel Feininger (1871–1956)

(Figures on the Beach), 1912

Oil on canvas
17 1/2 x 27 5/16 in. (44.5 x 69.2 cm)

Moeller 093 | Private collection, Germany

Lyonel Feininger (1871-1956)
Niedergrunstedt IV, 1914
Oil on canvas
31 1/2 x 39 1/2 in. (80 x 100.3 cm)
 

Moeller 132 | Private collection

Lyonel Feininger (1871–1956)

Regentag (Rainy Day), 1915

Oil on canvas

39 3/8 x 31 1/2 in. (100 x 80 cm)

Moeller 154 | Private collection

Lyonel Feininger (1871-1956)
Locomotive with the Big Wheel, 1915
Oil canvas
22 1/4 x 47 1/4 in. (56.5 x 120 cm)

Moeller 148 | Private collection

Lyonel Feininger (1871–1956)

(Woman’s Head with Green Eyes), 1915

Oil on canvas

28 x 24 1/2 in. (71.1 x 62.2 cm)

Moeller 146 | Saint Louis Art Museum

Lyonel Feininger (1871–1956)

Mellingen V, 1918

Oil on canvas

31 1/2 x 39 3/8 in. (80 x 100 cm)

Signed upper right: Feininger

Titled verso on stretcher: Mellingen V

Private collection

Lyonel Feininger (1871-1956)
Gothen, 1919
Oil on canvas
31 3/16 x 39 1/8 in. (80 x 100 cm)
 

Moeller 206 | Private collection

Lyonel Feininger (1871-1956)
Nighthawks, 1921
Oil on canvas
23 5/3 x 19 11/16 in. (60 x 50 cm)

Moeller 235 | Private collection

Lyonel Feininger (1871-1956)
Kleine Hafenstadt (Small Harbor Town), 1922
Oil on canvas
15 3/4 x 21 1/4 in. (40 x 54 cm)

Moeller 241 | Private collection

Lyonel Feininger (1871–1956)

Benz (VII), 1924

Oil on canvas

15 x 18 11/16 in. (38 x 47.5 cm)

Moeller 251 | Private collection

Lyonel Feininger (1871–1956)

(White Man with Red Umbrella and Green Lady), 1926

Oil on canvas
22 13/16 x 17 7/8 in. (57.8 x 45.4 cm)

Moeller 283 (not in Hess) | Private collection, Germany

Lyonel Feininger (1871–1956)
Kirche über Stadt (Church Above the Town), 1927
Oil on canvas
31 1/2 x 39 3/8 in. (80 x 100 cm)

Moeller 304 | Private collection

Lyonel Feininger (1871–1956)

Windmühle bei Usedom (Windmill near Usedom), 1927

Oil on canvas

16 11/16 x 24 1/2 in. (42.5 x 62.2 cm)

Moeller 293 | Staatliches Museum Schwerin, Schwerin

Lyonel Feininger (1871-1956)
Glasscherbenbild (Broken Glass), 1927
Oil and pencil on canvas
28 1/2 x 25 5/8 in. (72.5 x 65 cm)

Moeller 294 | Private collection

Lyonel Feininger (1871–1956)

Pine Woods (Edge of the Woods), 1928

Oil on canvas

23 5/8 x 29 5/8 in. (60 x 75 cm)

Moeller 319

Lyonel Feininger (1871–1956)

Stiller Tag am Meer III, 1929 

(Calm at Sea III)

Oil on canvas

19 1/4 x 14 1/4 in. (49 x 36.2 cm)

Signed and dated upper right: Feininger 29

Lyonel Feininger (1871-1956)
Schären-Kreuzer (Skerry-Cruisers), 1930
Oil on canvas
17 3⁄4 x 29 1⁄2 in. (45 x 75 cm)
 

Moeller 337 | Private collection

Lyonel Feininger (1871-1956)
Der Pulverturm II (The Powder Tower II), 1934
Oil on canvas
19 7/16 x 28 3/8 in. (49.4 x 72.1 cm)
 

Moeller 378 | Private collection

Lyonel Feininger (1871-1956)
Sea at Deep (Baltic, Dunes and Breakwaters), 1939
Oil on canvas
31 5/8 x 39 1/2 in. (80.3 x 100.3 cm)

Moeller 407 | Private collection

Lyonel Feininger (1871–1956)
Chapel in the Woods, 1943

Oil on canvas

19 x 15 in. (48.3 x 38 cm)

Moeller 450 | Private collection

Lyonel Feininger (1871-1956)

Moonwake, 1945

Oil on canvas

30 1/8 x 23 3/16 in. (76.5 x 59 cm)

Moeller 477 | Private collection

Lyonel Feininger (1871–1956)

(Weird Moon), 1945

Oil on canvas
24 x 36 in. (60.9 x 91.4 cm)

Moeller 473 | Private collection, Germany

Lyonel Feininger (1871–1956)

Harbor of Memory, 1950

Oil on canvas

23 11/16 x 30 in. (60.1 x 76.2 cm)

Moeller 517 | Private collection

Lyonel Feininger (1871-1956)
Fenris Wolf, 1953-1954
Oil on canvas
20 x 30 in. (50.8 x 76.2 cm)
 

Moeller 555 | Prviate collection

Josef Albers (1888–1976)

Homage to the Square: Orange Tone, 1963
Oil on masonite
48 x 48 in. (121.9 x 121.9 cm)

Mark Tobey (1890–1976)
Arena of Civilization, 1947
Tempera on board
14 x 19 1/2 in. (35.6 x 49.5 cm)

Mark Tobey (1890–1976)
Aerial City, 1950
Watercolor on paper 
16 1/8 x 18 3/4 in. (40.9 x 47.6 cm)

Mark Tobey (1890–1976)
Pisces Borealis, 1950
Tempera on board
11 x 17 in. (28 x 43.2 cm)

Mark Tobey (1890–1976)
(A Little Piece of Magic or Nothing), 1959
Tempera on prepared paper
3 1/4 x 2 1/2 in. (8.3 x 6.4 cm)

Mark Tobey (1890–1976)
Page from the Universal, 1960
Tempera on paper
19 x 25 in. (48.3 x 63.5 cm)

Mark Tobey (1890–1976)
Untitled, 1962
Tempera and mixed media on paper
35 x 26 1/4 in. (88.9 x 66.7 cm)

Mark Tobey (1890–1976)

(Red, Green, Violet, Yellow), 1968

Monotype on paper

33 1/2 x 25 in. (85.1 x 63.5 cm)
 

Egon Schiele (1890–1918)

Danaë, 1909

Oil and metallic paint on canvas

31 5/8 x 49 3/8 in. (80.2 x 125.4 cm)

Otto Dix (1891–1969)

Am Fenster (At the Window), 1922

Watercolor, gouache, ink, and pencil on paper

20 x 14 in. (49.2 x 35.2 cm)

Otto Dix (1891–1969)

Matrose und Mädchen (Sailor and Girl), 1922
Watercolor, gouache, ink, and pencil on paper
22 3/4 x 18 7/8 in. (57.8 x 48 cm)

Otto Dix (1891–1969)
Die Schwangere (Pregnant Woman), 1931
Oil on panel
32 5/8 x 24 3/8 in. (83 x 62 cm)

George Grosz (1893–1959)
Pandemonium, 1914
Ink on paper
19 5/8 x 12 1/2 in. (50 x 31.8 cm)

Hannah Höch (1889–1978)
Bürgerliches Brautpaar (Bourgeois Bridal Couple), 1920

Watercolor over pencil on paper

15 3/8 x 19 5/8 in. (39 x 50 cm)

Henry Moore (1898–1986)

Head, 1984

Bronze with brown patina

Max height: 24 1/2 in. (62.2 cm)

New Orleans Museum of Art

George Grosz (1893–1959)

Spaziergang (Walk), 1924

Watercolor, gouache, and ink

29 3/4 x 22 1/2 in. (75.6 x 57.2 cm)

Kurt Seligmann (1900–1962)

Isis, 1944

Oil on canvas

65 x 30 in. (165 x 76.2 cm)

Hans Bellmer (1902–1975)
Head of Max Ernst, Inferno, 1940
Graphite, heightened with white gouache, on paper
9 x 7 1/2 in. (23 x 19 cm)

The Art Institue of Chicago

David Smith (1906–1965)
Tank Totem X, 1960
Steel painted black, blue, red, ochre, and white
61 3/4 x 45 1/4 x 24 in. (156.9 x 114.9 x 61 cm)

Private Collection

Alfred Jensen (1903–1981)
Acrobatic Rectangle Per 2, 1967
Oil on canvas
66 x 48 in. (167.6 x 121.9 cm)

David Smith (1906–1965)
Untitled, 1962
Spray enamel on canvas
95 x 48 in (241.3 x 121.9 cm)

Albright-Knox Art Gallery

Francis Bacon (1909–1992)

Head I, 1961

Oil on canvas

14 1/4 x 12 1/4 in. (37.5 x 31 cm)

Francis Bacon (1909–1992)

Head of Man, 1959

Oil on canvas

13 1/2 x 11 in. (34.5 x 28 cm)

Jackson Pollock (1912–1956) 

Watercolor Number 1, 1951

Watercolor and ink on rice paper 

24 7/8 x 38 1/4 in. (63.2 x 97.2 cm)

Jackson Pollock (1912–1956) 

Untitled, 1951

Enamel on paper 

17 3/8 x 22 1/4 in. (44.1 x 56.5 cm)

Mimmo Rotella (1918–2006)
Untitled Collage, 1960
22 1/2 x 13 5/8 in. (56.8 x 34.6 cm)

Karel Appel (1921–2006)
Untitled, 1953
Oil on burlap
55 1/2 x 43 1/2 in. (141 x 110.5 cm)

Piero Dorazio (1927–2005)
Pas Du Cancer, 1961
Oil on canvas
51 1/4 x 64 in. (130.2 x 162.5 cm)

Piero Dorazio (1927–2005)
Kundabuffer, 1966
Oil on canvas
78 1/2 x 78 1/2 in. (199.4 x 199.4 cm)

Otto Piene (1928–2014)
Licht Ballett (Light Satellite and Light Drum), 1969
Chrome, Glass and electric light bulbs
15w x 18h x 49 1/8d in.  (38w x 45.7h x 124.5d cm)

Yayoi Kusama (b.1929)
Island (No. 5), 1953
Gouache on paper
9 3/4 x 13 1/2 in. (24.8 x 34.3 cm)

Tom Wesselmann (1931–2004)
Great American Nude #87, 1966–1967
Acrylic and collage on plywood
45 x 67 in. (114.3 x 170.2 cm)

Bruce Conner (1933–2008)
Twenty-Three Kenwood Avenue (The New Rosetta Stone), 1963
Pen and ink on paper
26 × 20 in. (66 × 50.8 cm)

The Museum of Modern Art, New York, purchase and partial gift of Achim Moeller in memory of Paul Cummings

Eva Hesse (1936–1970)
Untitled, 1963
Watercolor and ink on paper
22 1/4 x 28 in. (56.5 x 71 cm)

Gunnar Örn (1946–2008)

The Great Dream, 1984

Oil on canvas

71 1/8 x 78 7/8 in. (180.7 x 200.3 cm)

Solomon R. Guggenheim Museum, New York 

Eric Fischl (b. 1948)
The Day the Shah Ran By, 1982
Oil on canvas
36 x 48 in. (91.5 x 121.9 cm)