Notable Sales

Rocks near the Caves above Chateau Noir bu Paul Cezanne

Paul Cézanne (1839-1906)

Rochers prés des grottes au-dessus de Cháteau Noir (Rocks near the Caves above Chateau Noir), 1895-1900

Watercolor and pencil on paper

18 x 11 1/2 in. (45.7 x 29.2 cm)

Edgar Degas (1834-1917)
Etude de Vieillard assis (Study of an Old Man Seated), 1856-1858
Pencil on off-white laid paper
12 5/8 x 9 1/4 in. (32.1 x 23.5 cm)
Inscribed by the artist in pencil lower left: Rome 1856
Degas vente stamp (Lügt 658) in red lower left
Vente IV:97.e 

Alfred Sisley, Bords de Seine, près de l’île Saint-Denis (At the Edge of the Seine, near L’île Saint-Denis), 1872, Oil on canvas, 18 ½ x 25 ½ in. (46 x 65 cm), Signed lower left: Sisley

Alfred Sisley (1839-1899)
Bords de Seine, près de l’île Saint-Denis (At the Edge of the Seine, near L’île Saint-Denis), 1872
Oil on canvas
18 1/2 x 25 1/2 in. (46 x 65 cm)
Signed lower left: Sisley

Paul Gauguin, Ta-Matete (The Market), 1892, Fan: watercolor, gouache, pen and ink, and graphite on cream wove paper, 5 ¾ x 18 1/8 in. (14.5 x 46 cm), John C. Whitehead Collection, until 2015

Paul Gauguin (1848-1903)
Ta-Matete (The Market), 1892
Fan: watercolor, gouache, pen and ink, and graphite on cream wove paper
5 3/4 x 18 1/8 in. (14.5 x 46 cm)
John C. Whitehead Collection, until 2015

Gustave Caillebotte (1848-1894)
Chrysanthemums in the Garden at Petit-Gennevilliers, 1893
Oil on canvas
38 5/8 x 23 1/2 in. (98 x 59.8 cm)
The Metropolitan Museum of Art, New York

Odilon Redon, Bouquet de fleurs (Bouquet of Flowers), c. 1912, Oil on canvas, 28 ¾ x 21 ½ in. (73 x 54.6 cm), Inscribed, lower left: ODILON REDON, National Gallery of Art, Washington, D.C.

Odilon Redon (1840-1916)
Bouquet de fleurs (Bouquet of Flowers), c. 1912
Oil on canvas
28 3/4 x 21 1/2 in. (73 x 54.6 cm)
Inscribed, lower left: ODILON REDON
National Gallery of Art, Washington, D.C.

Maurice Denis (1870-1943)
La Cuisinière, 1893
Oil on canvas
32 1/8 x 23 3/8 in. (81.6 x 59.3 cm)
Signed and dated lower left: MAVD 93
John C. Whitehead Collection, until 2015

Amedeo Modigliani, Beatrice Hastings, 1916, Oil on canvas, 25.5 x 18 1/8 in (64.9 x 45.9 cm), John C. Whitehead Collection, until 2015

Amedeo Modigliani (1884-1920)
Beatrice Hastings, 1916
Oil on canvas
25.5 x 18 1/8 in (64.9 x 45.9 cm)
John C. Whitehead Collection, until 2015

Georges Braque (1882-1963)
Tête de femme II, 1930
Oil on canvas
18 x 15 in. (45.7 x 38.1 cm)
Signed and dated lower right: G Braque 30
John C. Whitehead Collection, until 2015

Ernst Ludwig Kirchner, Gelbe Birken (Yellow Birches), 1914, Oil on canvas, 47 ¼ x 35 ¼ in. (120.7 x 89.5 cm), Verso: Bathers in Fehmarn Landscape, Estate stamp on verso: Be/Aa9

Ernst Ludwig Kirchner (1880-1938)
Gelbe Birken (Yellow Birches), 1914
Oil on canvas
47 1/4 x 35 1/4 in. (120.7 x 89.5 cm)
Verso: Bathers in Fehmarn Landscape
Estate stamp on verso: Be/Aa9

Emil Nolde, Two Children, c. 1918, Watercolor on paper, 13 3/4 x 18 1/2 in. (34.9 x 47 cm)

Emil Nolde (1867-1956)
Two Children, c. 1918
Watercolor on paper
13 3/4 x 18 1/2 in. (34.9 x 47 cm)

Ernst Barlach (1870-1938)
Drei singende Frauen (Three Women Singing), 1911
Oak
21 1/4 x 34 3/4 x 19 3/4 inches (54 x 88 x 50 cm)
Signed and dated on base: E. Barlach 1911
Ernst Barlach Haus—Stiftung Hermann F. Reemtsma, Hamburg

Ernst Barlach (1870-1938)
Der Dorfgeiger (The Fiddler), 1913-14
Oak
24 1/2 x 14 2/4 x 12 1/4 in. (62 x 37.5 x 31 cm)
Ernst Barlach Haus—Stiftung Hermann F. Reemtsma, Hamburg

Ernst Barlach (1870-1938)
Verhüllte Bettlerin (Barmherzigkeit) (Veiled Beggar Woman [Mercy]), 1919
Oak
15 x 13 1/3 x 12 in. (38 x 30.4 x 33.7 cm)
Signed and dated on left of plinth: E Barlach 1919
Ernst Barlach Haus—Stiftung Hermann F. Reemtsma, Hamburg

Giacomo Balla (1871-1958), Paravento con linea di velocità (Screen with speedlines), 1916-1917, Oil on four canvases on two artist's stretchers and in the artist's painted frame, 59 1/2 x 49 5/8 in. (151 x 126 cm), Stamped lower left: BALLA FUTURISTA

Giacomo Balla (1871-1958)
Paravento con linea di velocità (Screen with lines of velocity), 1916-1917
Oil on four canvases on two artist's stretchers and in the artist's painted frame
59 1/2 x 49 5/8 in. (151 x 126 cm)
Stamped lower left: BALLA FUTURISTA

Giacomo Balla (1871-1958)
Linea di Velocità e Paesaggio, c. 1915
Watercolor, pencil, and collage on card
15 1/2 x 11 in. (39.4 x 27.9 cm)

Julio Gonzalez, Femme à la longue chevelure, 1940, Pen, ink and wash on paper, 12 3/8 x 9 ½ in. (31.4 x 24.1 cm)

Julio Gonzalez (1876-1942)
Femme à la longue chevelure, 1940
Pen, ink and wash on paper
12 3/8 x 9 1/2 in. (31.4 x 24.1 cm)

Paul Klee, Schicksale um die Jahres-Wende (Fates at the Turn of the Year), 1922, Watercolor on chalk grounding on paper, surrounded by watercolor and ink on cardboard, 13 5/8 x 7 ¼ in. (34.5 x 18.5 cm), Signed lower left: Klee, Inscribed on cardboard lower right: Schicksale um die Jahres-Wende / 1922 / 113 S CL

Paul Klee (1879-1940)
Schicksale um die Jahres-Wende (Fates at the Turn of the Year), 1922
Watercolor on chalk grounding on paper, surrounded by watercolor and ink on cardboard
13 5/8 x 7 1/4 in. (34.5 x 18.5 cm)
Signed lower left: Klee
Inscribed on cardboard lower right: Schicksale um die Jahres-Wende / 1922 / 113 S CL

Paul Klee, Sommerlandschaft (Summer Landscape), 1924, Oil on canvas, laid on cardboard and bordered with watercolor and ink, 15 ¾ x 12 ¾ in. (40 x 32.4 cm), Signed upper left: Klee

Paul Klee (1879-1940)
Sommerlandschaft (Summer Landscape), 1924
Oil on canvas, laid on cardboard and bordered with watercolor and ink
15 3/4 x 12 3/4 in. (40 x 32.4 cm)
Signed upper left: Klee

Paul Klee, Burg 2 (Castle 2), 1923, 107, Watercolor on paper, 12 x 8 9/10 in. (30.5 x 22.6 cm), Signed lower right: Klee, Dated, numbered, and titled on the artist’s mount, lower center: 1923 107 Burg 2

Paul Klee (1879-1940)
Burg 2 (Castle 2), 1923, 107
Watercolor on paper
12 x 8 9/10 in. (30.5 x 22.6 cm)
Signed lower right: Klee
Dated, numbered, and titled on the artist’s mount, lower center: 1923 107 Burg 2

Paul Klee, Das kranke Herz (The Sick Heart), 1939, Colored paste on cardboard on wooden strainer, 16 x 21 1/4 in. (40.6 x 54 cm), Signed lower right: Klee

Paul Klee (1879-1940)
Das kranke Herz (The Sick Heart), 1939
Colored paste on cardboard on wooden strainer
16 x 21 1/4 in. (40.6 x 54 cm)
Signed lower right: Klee

Paul Klee (1879-1940)
Halbmond Gespensker1925, 215
(Half Moon Ghosts)
Ink on paper on cardboard
8 1/2 x 12 1/2 in. (21.6 x 31.5 cm)
Signed upper right
Dated and numbered lower left on cardboard
Titled lower right on cardboard

Wassily Kandinsky, Study for Panel Edwin R. Campbell, No. 4, 1914, (also known as Studie zu Winter and Carnival-Winter), Oil on cardboard, 27 ½ x 19 in. (69.8 x 48.4 cm), The Miyagi Museum of Art, Sendai

Wassily Kandinsky (1866-1944)
Study for Panel Edwin R. Campbell, No. 4, 1914
(also known as Studie zu Winter and Carnival-Winter)
Oil on cardboard
27 1/2 x 19 in. (69.8 x 48.4 cm)
The Miyagi Museum of Art, Sendai

Alexej von Jawlensky, Abstrakter Kopf: Erscheinung (Abstract Head: Apparition), 1928, Oil on board, 17 ¾ x 12 ¾ in. (45.1 x 32.4 cm)

Alexej von Jawlensky (1864-1941)
Abstrakter Kopf: Erscheinung (Abstract Head: Apparition), 1928
Oil on board
17 3/4 x 12 3/4 in. (45.1 x 32.4 cm)

Lyonel Feininger (1871-1956)
Promenade (Paris), 1908
Oil on canvas
15 5/8 x 11 5/8 in. (39.7 x 29.5 cm)
Signed, titled, and dated on stretcher: Lyonel Feininger "Promenade" August 1908

Lyonel Feininger (1871-1956)
Diabolo Players I, 1909
Oil on canvas
15 3/8 x 26 1/8 in. (39.2 x 66.2 cm)
Signed and dated in oil on stretcher: febr.-mar. 1909

Lyonel Feininger (1871-1956)
Niedergrunstedt IV, 1914
Oil on canvas
31 1/2 x 39 1/2 in. (80 x 100.3 cm)
Signed lower left: Feininger

Lyonel Feininger, Locomotive with the Big Wheel, 1915, Oil canvas, 22 1/4 x 47 1/4 in. (56.5 x 120 cm)

Lyonel Feininger (1871-1956)
Locomotive with the Big Wheel, 1915
Oil canvas
22 1/4 x 47 1/4 in. (56.5 x 120 cm)

Lyonel Feininger (1871-1956)
Gothen, 1919
Oil on canvas
31 3/16 x 39 1/8 in. (80 x 100 cm)
Signed and dated lower left: Feininger 1919
Inscribed and titled verso on stretcher: Lyonel Feininger "Gothen"

Lyonel Feininger (1871-1956)
Nighthawks, 1921
Oil on canvas
23 5/3 x 19 11/16 in. (60 x 50 cm)

Lyonel Feininger, Kleine Hafenstadt (Small Harbor Town), 1922, Oil on canvas, 15 3/4 x 21 1/4 in. (40 x 54 cm), Signed and dated upper left: Feininger 1922

Lyonel Feininger (1871-1956)
Kleine Hafenstadt (Small Harbor Town), 1922
Oil on canvas
15 3/4 x 21 1/4 in. (40 x 54 cm)
Signed and dated upper left: Feininger 1922

Lyonel Feininger (1871-1956)
Glasscherbenbild (Broken Glass), 1927
Oil and pencil on canvas
28 ½ x 25 5/8 in. (72.5 x 65 cm)

Lyonel Feininger (1871-1956)
Schären-Kreuzer (Skerry-Cruisers), 1930
Oil on canvas
17 3⁄4 x 29 1⁄2 in. (45 x 75 cm)
Signed and dated upper right: Feininger 30

Lyonel Feininger, Der Pulverturm II (The Powder Tower II), 1934, Oil on canvas, 19 7/16 x 28 3/8 in. (49.4 x 72.1 cm), Signed and dated upper right: Feininger 1934, Inscribed and dated verso on stretcher: Lyonel Feininger 1934, Inscribed, dated and titled verso on label on stretcher: Lyonel Feininger 1934 “The Powder Tower”

Lyonel Feininger (1871-1956)
Der Pulverturm II (The Powder Tower II), 1934
Oil on canvas
19 7/16 x 28 3/8 in. (49.4 x 72.1 cm)
Signed and dated upper right: Feininger 1934
Inscribed and dated verso on stretcher: Lyonel Feininger 1934
Inscribed, dated and titled verso on label on stretcher: Lyonel Feininger 1934 “The Powder Tower”

Lyonel Feininger (1871-1956)
Fenris Wolf, 1953-1954
Oil on canvas
20 x 30 in. (50.8 x 76.2 cm)
Inscribed verso: Lyonel Feininger. 1953-54 "Fenris Wolf"

Mark Tobey, Arena of Civilization, 1947, Tempera on board, 14 x 19 1/2 in. (35.56 x 49.53 cm), Signed and dated lower left: Tobey / 47, Inscribed verso: Arena of Civilizations

Mark Tobey (1890-1976)
Arena of Civilization, 1947
Tempera on board
14 x 19 1/2 in. (35.6 x 49.5 cm)
Signed and dated lower left: Tobey / 47
Inscribed verso: Arena of Civilizations

Mark Tobey, Pisces Borealis, 1950, Tempera on board, 11 x 17 in. (28 x 43.2 cm), Signed and dated lower right: Tobey 50

Mark Tobey (1890-1976)
Pisces Borealis, 1950
Tempera on board
11 x 17 in. (28 x 43.2 cm)
Signed and dated lower right: Tobey 50

Mark Tobey, Untitled (A Little Piece of Magic or Nothing), 1959, Tempera on prepared paper, 3 ¼ x 2 ½ in. (8.3 x 6.4 cm,) Signed and dated lower center: Tobey 59, Inscribed on verso by the artist: Happy Birthday 1959 A little piece of magic or nothing

Mark Tobey (1890-1976)
(A Little Piece of Magic or Nothing), 1959
Tempera on prepared paper
3 1/4 x 2 172 in. (8.3 x 6.4 cm)
Signed and dated lower center: Tobey 59
Inscribed on verso by the artist: Happy Birthday 1959 A little piece of magic or nothing

Mark Tobey, Page from the Universal, 1960, Tempera on paper, 19 x 25 in. (48.3 x 63.5 cm), Signed and dated lower right: Tobey, 60

Mark Tobey (1890-1976)
Page from the Universal, 1960
Tempera on paper
19 x 25 in. (48.3 x 63.5 cm)
Signed and dated lower right: Tobey, 60

Mark Tobey (1890-1976)
Untitled, 1962
Tempera and mixed media on paper
35 x 26 1/4 in. (88.9 x 66.7 cm)
Signed and dated lower left: Tobey 1962
 

Hans Bellmer (1902-1975)
Head of Max Ernst, Inferno, 1940
Graphite, heightened with white gouache, on tan wove paper
9 x 7 1/2 in. (23 x 19 cm)
Signed lower right: Bellmer
Dated lower left: 1940
Signed and dated lower right: Bellmer 40
Art Institue of Chicago

David Smith, Untitled, 1962, Spray enamel on canvas, 95 x 48 in (241.3 x 121.9 cm), Dated on reverse: Feb-7-1962, Albright-Knox Art Gallery

David Smith (1906-1965)
Untitled, 1962
Spray enamel on canvas
95 x 48 in (241.3 x 121.9 cm)
Dated on reverse: Feb-7-1962
Albright-Knox Art Gallery

Karel Appel (1921-2006)
Untitled, 1953
Oil on burlap
55 1/2 x 43 1/2 in. (141 x 110.5 cm)
Signed and dated lower right: K. Appel '53

Sam Francis, Composition, 1953-54, Gouache and watercolor on paper 9.4 x 7.1 inches (24 x 18 cm)

Sam Francis (1923-1994)
Composition, 1953-54
Gouache and watercolor on paper
9 1/2 x 7 1/8 in. (24 x 18 cm)

Lucio Fontana, Concetto Spaziale Attese, 1964, Water-based paint on canvas, 20 7/8 x 25 5/8 in. (53 x 65cm)

Lucio Fontana (1899-1968)
Concetto Spaziale Attese, 1964
Water-based paint on canvas
20 7/8 x 25 5/8 in. (53 x 65 cm)

Alfred Jensen, Acrobatic Rectangle Per 2, 1967, Oil on canvas, 66 x 48 in. (167.6 x 121.9 cm), Titled, inscribed and dated on verso

Alfred Jensen (1903-1981)
Acrobatic Rectangle Per 2, 1967
Oil on canvas
66 x 48 in. (167.6 x 121.9 cm)
Titled, inscribed and dated on verso

Eva Hesse, Untitled, 1963, Watercolor and ink on paper, 22 ¼ x 28 in. (56.5 x 71 cm)

Eva Hesse (1936-1970)
Untitled, 1963
Watercolor and ink on paper
22 1/4 x 28 in. (56.5 x 71 cm)

Piero Dorazio (1927-2005)
Pas Du Cancer, 1961
Oil on canvas
51 1/4 x 64 in. (130.2 x 162.5 cm)

Piero Dorazio (1927-2005)
Compenetration Opaque, 1963
Oil on canvas
13 1/4 x 18 in. (33.7 x 45.7 cm)
Signed, dated, and titled on verso

Piero Dorazio (1927-2005)
Kundabuffer, 1966
Oil on canvas
78 1/2 x 78 1/2 in. (199.4 x 199.4 cm)

Bruce Conner (1933-2008)
Twenty-Three Kenwood Avenue (The New Rosetta Stone), 1963
Pen and ink on paper
26 × 20 in. (66 × 50.8 cm)
Museum of Modern Art, New York 
Purchase and partial gift of Achim Moeller in memory of Paul Cummings

Yayoi Kusama, Island (No. 5), 1953, Gouache on paper, 9 ¾ x 13 ½ in. (24.8 x 34.3 cm)

Yayoi Kusama (b.1929)
Island (No. 5), 1953
Gouache on paper
9 3/4 x 13 1/2 in. (24.8 x 34.3 cm)

Tom Wesselman, Great American Nude #87, 1966-1967, Acrylic and collage on plywood, 45 x 67 in. (114.3 x 170.2 cm), Signature on reverse: Wesselmann 67

Tom Wesselman (1931-2004)
Great American Nude #87, 1966-1967
Acrylic and collage on plywood
45 x 67 in. (114.3 x 170.2 cm)
Signature on reverse: Wesselmann 67

Eric Fischl, The Day the Shah Ran By, 1982, Oil on canvas, 36 x 48 in. (91.5 x 121.9 cm)

Eric Fischl (b.1948)
The Day the Shah Ran By, 1982
Oil on canvas
36 x 48 in. (91.5 x 121.9 cm)

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