Berlin

George Grosz, Esq.

Drawings for Esquire Magazine

April 19 – August 6, 2010

The Stowaway's Story, 1937
ink and chalk
46 x 59 cm (18 x 23 1/3 in.)
signed lower left
March 1937, p. 86, for Robert Meltzer's story of the same title
Case of Convict, 1937
ink and chalk
59 x 46 cm (23 1/3 x 18 in.)
signed lower right
February 1937, p. 48, for Jim Tully's story of the same title
Real Life, True Life, 1937
ink and chalk
59 x 46 cm (23 1/3 x 18 in.)
signed and dated lower right „37"
June 1937, p. 85, for Harry Purdy's story of the same title
Two Men on a Hatch, 1938
ink and chalk
46 x 59 cm (18 x 23 1/3 in.)
signed lower right
March 1938, p. 52, for Thomas Calvert McClary's story of the same title
The Odd Dollar, 1936
ink and pencil
59 x 46 cm (23 1/3 x 18 in.)
November 1936, p. 53, for Andre Maurois' story of the same title
Surprise for the Boys, 1937
ink and chalk
59 x 46 cm (23 1/3 x 18 in.)
signed and dated lower right „37"
September 1937, p. 76, for Clyde Lewis' story of the same title

Press Release

Moeller Fine Art Berlin is pleased to announce its upcoming exhibition George Grosz, Esq.

Between September 1936 and January 1939, Esquire: The Magazine for Men commissioned George Grosz (1893-1959) to create drawings to illustrate articles and short stories. Moeller Fine Art Berlin will exhibit 50 of these rare and never-before-seen drawings alongside the accompanying stories, highlighting a vital, though little-known aspect of the artist's oeuvre.

In his Autobiography (1946), Grosz wrote, "I would have given anything to become an American illustrator, one of the chosen ones who do the pictures for short stories in popular magazines. When I was a beginner, and later in my crazy Dada or cubist days, I would sneak a look at those illustrations that stayed close to nature. They were truly something for the masses. Everybody could understand them; no explanations from grandiloquent art historians were needed. It was folk art in modern clothing, with wide distribution."

The artist got his wish. In January 1933, only two weeks before Adolf Hitler came to power, Grosz arrived in America, a land of promise and adventure far from the looming peril he had left behind in Berlin. He first received contracts from the magazine Vanity Fair, followed by a full-time contract from Esquire three years later. In his autobiography, Grosz describes the latter as: "a very attractive advertisement for a clean, appetizing, super-modern country where everything was fresh and friendly and smiling in contrast to sour-faced Europe." Esquire, founded by David A. Smart and William H. Weintraub at the height of the Depression, indeed provided a colorful, large-format magazine that targeted style-conscious, leisure-loving, middle-class men. The monthly included pieces on fashion, exotic travel, and gourmet cuisine, as well as literary and political essays by such notable authors as F. Scott Fitzgerald and Morley Callaghan.

Grosz's first commission came in the fall of 1936 and was published in the magazine with an essay by John Dos Passos. The illustrations are biting satires on American life, exhibiting a mastery of the expressive line, a cruel wit, and a penetrating intelligence. The drawings were never exhibited, and appear here in public for the very first time.

The exhibition is realized in cooperation with the estate of the artist. An illustrated catalogue, with an essay by Dr. Frank Whitford (Cambridge University), will be published in conjunction with the exhibition.

The gallery is located at Tempelhofer Ufer 11 in Berlin - Kreuzberg. Opening hours are from Tuesday to Saturday, 11am to 6pm. The closest U-Bahn stops are Hallesches Tor (U6) or Möckernbrücke (U7/U1).